Diana Ross the former lead singer of the vocal group the Supremes, became Motown‘s most successful act during the 1960s and one of the world’s best-selling girl groups of all time.
They remain the best-charting female group in history, with a total of 12 number-one pop singles on the U.S. Billboard Hot 100.
On July 9, 1962, folk singer Bob Dylan walked into a studio and recorded the song that would make him a star: “Blowin’ In The Wind.”
“This here ain’t no protest song or anything like that, ’cause I don’t write no protest songs.” That was how Dylan introduced one of the most eloquent protest songs ever written when he first performed it publicly. It was the spring of his first full year in New York City, and he was onstage at Gerde’s Folk City in Greenwich Village, talking about “Blowin’ In The Wind,” a song he claims to have written in just 10 minutes.
Dylan’s recording of “Blowin’ In The Wind” would first be released nearly a full year later, on his breakthrough album, The Freewheelin’ Bob Dylan.
This was not the version of the song that most people would first hear, however. That honor went to the cover version by Peter, Paul and Mary—a version that not only became a smash hit on the pop charts, but also transformed what Dylan would later call “just another song” into the unofficial anthem of the civil rights movement.
If rock and roll was a social and cultural revolution, then “(We’re Gonna) Rock Around The Clock” was its Declaration of Independence. And if Bill Haley was not exactly the revolution’s Thomas Jefferson, it may be fair to call him its John Hancock.
The song was chosen to play over the opening credits of the film Blackboard Jungle, which is how it became a pop sensation, selling a million copies in a single month in the spring of 1955.
William (Bill) John Clifton Haley (July 6, 1925 – February 9, 1981)
By the spring of 1965, Bob Dylan’s presence in the world of music was beginning to be felt well outside the boundaries of his nominal genre. Within the world of folk music, he had been hailed as a hero for several years already, but now his music was capturing the attention and influencing the direction of artists like the Byrds, the Beatles and even a young Stevie Wonder.
With Dylan as a direct inspiration, popular music was about to change its direction, but so was Dylan himself. On June 16, 1965, on their second day of recording at Columbia Records’ Studio A in Manhattan, he and a band featuring electric guitars and an organ laid down the master take of the song that would announce that change: “Like A Rolling Stone.” It would prove to be “folksinger” Bob Dylan’s magnum opus and, arguably, the greatest rock and roll record of all time.